New Travel Harp Guitar by Swiss Builder Lukas Brunner

Far off into the Alps of Switzerland there exists a instrument workshop where Lukas Brunner dreams up designs for harp guitars that sound as crisp as the winter air with bass notes that dip down like the deep valleys below and with super treble strings that rise up like the mountain tops.


Nestled between Swiss mountain peaks is the small village of Lavin where harp guitarists seeking shelter from the winter snow will find a warm place to sit and pluck awhile at the Brunner Guitar shop.

In my travels in Europe I have managed to make a few visits to this magical world where savory chocolate, precision clocks and fine craftsmanship are the order of the day.

Lukas Brunner and John Doan

This is where I met Lukas Brunner who makes travel harp guitars that can be transported in a small bag, placed in an overhead or beneath the seat in front of you on an airline and can be assembled in a few seconds, for the most part in tune and ready to play a concert on!

John Doan in Concert in Kuala Lumpur, Malaysia

John Doan in Concert in Kuala Lumpur, Malaysia

After having the airlines loose my Elliott/Sullivan harp guitar three times (and fortunately also finding it three times!) it became a good idea to tour with a harp guitar that comes apart, fits in a small case and can always be with me on the road or in the air.

Brunner HG in case









My good friend Philippe Fouquet and follow harp guitarist from France told me that he got a newly designed harp guitar from Lukas Brunner and raved about many improvements to this newest model and suggested that I look into getting one.

Philippe Fouquet HG (1)








I put in an order this past year and I just received the latest model of Travel harp guitar from him this week.  I am excited to share this instrument with you here and in my future concerts that I fly to.

Brunner Travel Harp Guitar

Brunner Travel Harp Guitar

It is stunning to behold.  Lukas has such a remarkable eye for design and detail.  Most notably his new design has the twenty strings centered on the body instead of running over to the treble side like my previous instrument. He achieves this with a single attachment for the guitar and bass string instead of two separate necks he used before. The black finish is exquisite and even dramatic.  This took quite a bit of extra work to achieve.

This new instrument has an evenness of tone that prevails across the entire range. He has added internal bracing this time round that helps structurally and evens out the sound quality of the soundboard.

Brunner Travel Harp Guitar close up on face

Brunner Travel Harp Guitar close up on face

There is a reverberant sound throughout and a great balance of the three pitch areas is achieved acoustically and not just by the use of a mixer.

Brunner HG 2015 Full from bass side Brunner HG 2015 Full back

Technically, the body dimensions are defined as B-medium: length: 19 1/8″ (48,6cm), 
width: 14 1/2″ (36,8cm)
, depth: 4″ (10,2cm). The overall volume and vibrancy is somewhat less than the inch larger sound box of my Elliott/Sullivan harp guitar (that also has a hollow arm under the bass) but this new smaller sound box without the hollow arm still holds its own and is quite good to play acoustically.

The Indian rosewood used for the back and sides is really beautiful and the Red Cedar top is very lively.

The bass string lengths are 30 1/2″ (774mm) while the guitar string lengths are 25 1/2″ (650mm) (both standard on Brunner harp guitars).


Brunner uses Gotoh oval chrome tuners for the super treble strings that he places on a ledge (an early innovation he debuted on his previous model).  On the bass shoulder bout can be found a sound port to give the player more sound to listen to while playing.

Brunner Harp Guitar from the Super Treble side revealing the upper sound port through the sound hole.

Brunner Harp Guitar from the Super Treble side revealing the upper sound port through the sound hole.











There were several details Lukas added to this instrument that were very brilliant like the bridge attachment not touching the face as well as being cut at an angle for a more sure fit.

Brunner HG 2015 Face close from bass








The beveled edge on the lower bass bout is beautifully done in curly Maple making it easy for the arm to rest while playing.

Brunner Harp Guitar from Bass side featuring curly Maple binding with beveled arm rest

Brunner Harp Guitar from Bass side featuring curly Maple binding with beveled arm rest










I was looking for an overall appearance of the night sky and the beveled arm rest worked in visually as a crescent moon. I love how he managed to put the inlays of evening stars at harmonic points of the string, something easily overlooked when thinking of them as ornaments.

Brunner harp guitar close up of star inlays and side sound port

Brunner harp guitar close up of star inlays and side sound port

Brunner Harp Guitar headstock

Brunner Harp Guitar headstock









The headstock is smartly designed with all the guitar tuner buttons off to the right and the bass tuners compactly set within the bass arm atop of a pillar to the far left.  My previous travel harp guitar was considerably heavier with two full necks.  The absence of the additional neck makes the instrument lighter and easier to work with.

Brunner Harp Guitar from the top down

Brunner Harp Guitar from the top down









All of these headstock tuners are locking tuners that only respond to adjustment while attached to the instrument and under pressure. This allows the tuning knobs to be knocked or turned while detached from the body without any impact on the tuning once the instrument is assembled (which only takes a few seconds to do!).  What is remarkable and has guitarists gasping is that once the guitar and bass string attachment is snapped into place the instrument is virtually in tune!

The bass tuners are more like fine tuners and generally should work best if the basses are left at the same pitch from tune to tune. The lowest E goes easy enough up a half step to F as does the B down to Bb.  I will be exploring using a lighter gauge string for the first sub bass so I can bring it up to E on occasion when I use a capo on the guitar.  I hope that works as they are so snug and low profile, which is perfect for it being a travel instrument.

Brunner HG 2015 back neck joint








The magic behind the travel harp guitar is how the guitar and bass strings come off the body.  That all starts by loosening the screw at the top of the sound box. Once loosened one very carefully presses down on the knob while holding down the neck so it comes up under control instead of quickly popping up.  With a little practice this is a smooth transition.

Brunner used good old Swiss precision tooling for the contact points that he originally worked out with his uncle who is a master tool smith.  The precision allows for stability of the instrument once assembled and as above mentioned, contributes to the instrument being in tune when put back together.

Brunner Travel Harp Guitar Close Up on Super Treble Strings

Brunner Travel Harp Guitar Close Up on Super Treble Strings

Once plugged in it sounds completely natural and will be a joy to play in concert thanks to the LR Baggs Anthem SL setup. As you look into the sound hole you can see a small dial that allows for adjusting the volume without reaching for a mixer or coordinating with the sound engineer.

In conclusion, there is so much that has gone into this newest model and I am thrilled with the results.

The overall length is shortened compared to his previous travel harp guitars which is great for travel. Brunner still managed to lengthen the super trebles a bit for a fuller tone and the sub basses still have good length to give a full tone as well.

As with his earlier model, the zero fret, the larger sound hole and the beveled arm rest work really great.

I have added a NeckUp Guitar Support for playing but it was great that I really didn’t have to have it given how the strings have been moved over to be centered on the face of the instrument.

I have a little bit of a learning curve to do to get use to the 16 fret neck versus the 21 fret of my Elliott/Sullivan harp guitar (the higher frets used mainly for indicators for locations of harmonics up the neck, but no big problem).

I am excited to bring it to your community for a future concert. This is truly a new year filled with hope and excitement for future music making.

(Special thanks to Lukas Brunner for all the fine photos of the new travel harp guitar).

12 thoughts on “New Travel Harp Guitar by Swiss Builder Lukas Brunner

  1. Hi John!
    I continue to yearn for a harp guitar that i might play. This one looks absolutely stunning what with the trebles placed on the body etc.!
    Please share with me your opinion about
    #1.the size of this guitar for a player such as my height and body
    #2. the cost of this instrument
    The fact that I’ve been unable to find a classical stringed harp guitar has been disappointing.

    ‘Have been following you and all your travels, etc. what joy you bring to the music world! Grateful to consider you friend, wish to see more of you in this new year!
    Hugs to you and Dierdra!

    • Chris:

      It is wonderful to hear from you and thank you for writing.

      Yes, the Brunner travel harp guitar is smaller and without the hollow arm so it is lighter as well. The catch is that it is primarily a steel string instrument so the detachable neck will work and be in tune. Nylon strings don’t work in the locking tuners as they cut through them. Lukas has made nylon string instruments but for my purposes he highly recommended that I use steel so I would be able to assemble it and start playing immediately. He says the nylon take a long time to get settled. He could make you one that didn’t come apart or one that did and you just keep it assembled once you are where you are going to be.

      The full harp guitar with sub basses and super trebles starts around $4500. With the sound port, black finish, pick ups and internal mic, beveled arm rest and inlays, etc. pushed it up higher. Of course you would need to contact him directly.

      Lukas Brunner

      I would also recommend Stephen Sedgwick of England who can make you a smaller custom harp guitar all with nylon strings. He is very reasonable and very high quality.

      Stephen Sedgwick

      You might have interest in my harp guitar retreat coming up this coming June 23rd-26th. I have several instruments that you could use including the travel harp guitar I just got.

      Aside from all the harp guitar stuff, it would be great to visit again. Let me know when you are free to come down to Salem or let me know where you are settled and when I make it anywhere near you I will try to stop by.



  2. Hi John,

    Thank for sharing the New Brunner. The harp Brunner for its shape meets more the playability. As you know I had abort playing the harpguitar, for my inability to play it. This instrument would be interesting to test.
    Two questions: is the instrument suitable and available with all nylon and wound strings?
    Second, is cost?
    Thank you, and looking forward to sheetmusic of you great Celtic pieces of you music. Greetings to Deidra,

    • Jos: It is good to hear from you. Yes, the Brunner could work for you better with it’s light weight and more compact design. I know that Brunner has made nylon string models of travel harp guitars and has a special attachment to accommodate the strings. The problem for a performer is that unlike the steel strings holding their previous tuning from before being disassembled the nylon take a considerable time to settle back in. If you leave the instrument assembled or have time for it to come back into tuning then you may be alright with the nylon version. You should contact Brunner directly for prices. I know that the base model of harp guitar with only sub basses is Fr. 3500 and with the super trebles fr. 4500.

      Regarding the sheet music for the celtic music I have it all in PDF’s. You can purchase it at my website. Go to

      All my best to Anoesjka,


      • Thank you John for the information. Because I am not that traveller, the model and best sounding one can be made without disassembling mechanism.
        Just a playable instument with a great classical guitar sound, but with SB and ST register. I will order your sheetmusic of the CDs. By the way, are downloadable versions available soon? Otherwise, I will order the hardcopies.
        And I saw that the website of Brunner is from the air…..
        Do you have contactinfo of him?
        Many thanks again,
        warm regards from Anosjka and me.

        • John: to be able to play your music and style it is necessary to have a harpguitar ST and SB. Coming from classical nylon guitar, my preference is nylon and fixed neck.
          Could you play demo pieces on your new Brunner to get a feeling of the sound with Celtic pelgrimage music or so?
          Many thanks, a greeting!

  3. Wow, this is a great invention. I can never travel by air with my Dyer Style 3 due to the large heavy case that I built to protect it. Saw you in Yountville several years ago and really enjoyed seeing all the old musical instruments. We are having a house concert with Muriel Sept. 29th in Napa for our 50th anniversary. You are welcome to come if you can. Sincerely,
    Jim Kempton
    4110 Mataro St.
    Napa, CA 94558

    • Jim: Good to hear from you and thank you for remembering me in Yountville. Congratulations on your 50th anniversary. I would be more than happy to arrange playing a house concert for your 60th anniversary (or many your 51st!)

      Thank you for the invite and for writing.



  4. Hello John,
    What a beautiful (and functional) instrument! You tempt me to break away from my nylon harp guitar. Do you have plans for any East Coast performances in 2016? Please send Deidra my warmest regards; we just moved to Lancaster, PA and found a new place for the painting she so kindly gave me.

  5. Aloha- I am interested in your beautiful and fascinating instrument . How much? Must ship to Hawaii. Mahalo!

  6. A drummer in my high school marching band and guitarist in the school stage band, I had many influences over the years. It wasn’t until 24 years ago that I 1st saw a 1906 harp-guitar in a Swansea, Ma music store. I wasn’t drawn to it, but that was due to its size and weight. It had to be played sitting down. I was drawn, however, to the sound of Celtic music and its various stringed instruments. It wasn’t until 2003 or 04 that I saw Muriel Anderson as a warm up act in Rhode Island, and I was hooked from the moment she began playing. The sound of the Brunner instrument is much brighter than the rich tone of the harp-guitar Muriel played that night. I wonder if there is a halfway point attainable between the Doolin and Brunner instruments?

    • Thank you for writing. I apologize for the delay in responding as I just noticed this at my website.
      I just visited Lukus Brunner at his workshop in Switzerland and he has been making many improvements in his travel harp guitar design. I was very impressed with the fuller tone he is now getting. I would inquire with him about his latest harp guitars.

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