I suppose if one were living life fully, each moment in each day would seem like an adventure. Travel takes me away from all that is ordinary which is no doubt extraordinary except for that I have gotten use to everything and everyone that is usually around me. Last December a fan of mine in some ways awoke me from my waking sleep when he wrote me from Moscow and inquired if I had plans of performing there in the future. My custom is to write back and explore if there are any possibilities. I then received an extraordinary response from Жилин Андрей, or should I say, Andrew Jilan who claimed that when he was fifteen he had three favorite musicians/groups that he listened to. I never dreamed that I would ever be in league with Jimi Page and Iron Maiden but there I was raised high in the pantheon of cultural icons. We skyped each other and set a week mid May for my debut concerts in Russia and perhaps for the first harp guitar concerts heard there as well.
After having performed in Ukraine and Germany my wife Deirdra and I arrived on my Birthday in Moscow. Andrew had prearranged a cab – basically someone who has highjacked the family car and has found a few hours of employment (the cabbies at the airport charge several times more).
Andrew had never received a rock star before. I didn’t know if he was being kind and shaved part of his head to emulate me or that he enjoyed looking like Vladimir Lenin but his gentle demeanor put us at ease as we rushed through the strange landscape of endless apartment structures and construction detours. Continue reading →
My YouTube videos playing the harpolyre continue to get a lot of attention, and I wanted to share with you a little of the backstory of this amazing three-necked harp guitar.
In an effort to bring history to the harp guitar I discovered ten works for the harpolyre written by Fernando Sor, known as the Father of the Classical Guitar. The amazing thing about these compositions is not only are they extremely tender and lyric pieces, but they had never been played since 1830 and perhaps have never actually been heard in public until my recording “The Lost Music of Fernando Sor” along with my live performances and YouTube videos. I felt like Indiana Jones uncovering this forgotten music for a forgotten instrument.
I ordered the microfilm of this music in 1977 from the La Bibliothèque nationale de France (BnF) and with this extremely rare and beautiful music in my hands, I could only dream of finding one of a handful of existing harpolyres upon which to really recreate these beautiful musical pieces. After thirty years of the hunt, I was blessed to find a circa 1830 harpolyre that had been restored to near pristine condition.
Last October I had a chance to conduct a Sor Symposium and debut a new show “Beyond Six Strings – from Sor to Hendrix” at Marylhurst University in Portland, Oregon. Months before I had an opportunity to talk with Peter Zisa who conducts the guitar program there about my research in the life and music of Sor, and he suggested that Marylhurst University host a Sor Symposium. Peter is not only a great player and elegant human being, he has such a great imagination and he coordinated with several teacher/performers in the area to have students come to a master class and themselves participate in the Symposium. Both the class and the Symposium went incredibly well.
Peter reviewed the event as follows:
“Marylhurst hosted an historic performance by John Doan on three beautiful and historic instruments. John’s blend of remarkable skills as a storyteller and masterful performer proved to be the highlight of the two-day Sor Symposium. John, who began his performance with his own music and arrangements on harp guitar, concluded the program with a historic premier performance of Sor’s music for the three-necked harpolyre. The pieces, which varied in level of technical difficulty from intermediate to virtuosic, charmed and moved the spellbound audience.”
Fan, Shannon J. Murphy, had this to say about the concert:
I was present at the concert at Marylhurst and was able to relive it as I read your account here. It was a beautiful presentation and I know your future audiences at this concert are going to love it as much as I did. Your description of Sor and his musical technique struck me as being just what I could say of you and yours. You are the instrument that makes the music flow. Continue to walk in the light.
In short, it was a kick!! It seemed crazy to combine in the same show the music of Fernando Sor – the “Father of the classical guitar” with the music of Jimi Hendrix and other contemporary guitar innovators but as the show evolved it flowed beautifully into an event that reached across time, generations, and cultures. Continue reading →