Skip to Content Skip to Navigation

John Doan: Press

Eire - Isle of the Saints

Eire: Isle of the Saints stands today as one of the most creative, significant and polished albums of the entire genre of the progressive Celtic scene.
Stephen Hill - Music From The Hearts of Space (Jun 10, 2006)
"Critic's Choice - highly recommended listening. John Doan doesn't come from Ireland, but his new ablum,"Eire: Isle Of The Saints," is a nearly perfect evocation of the Celtic spirit. Doan plays many arcane stringed instruments but specializes in the harp guitar. With its hybrid strings, he laces themes that aren't Irish but sound like they could be. His intricate arrangements are further enhanced by producer Billy Oskay, the founder of Nightnoise. In addition to his violin, Oskay lavishes pipes, harps, and synthesizers on Doan's poignant melodies."
John Diliberto - Billboard Magazine (May 25, 2006)
"Eire: Isle of the Saints is one of the most perfect albums of the year and a pinnacle of creation for harp-guitarist John Doan. Long a devotee of the Emerald Isles, Doan traveled the Irish countryside gathering up inspiration and often composing tunes right on the spot. He brought them back to Billy Oskay's studio in Oregon where they created intricate orchestrations with pipes, flutes, percussion and synthesizers. "St. Patrick in the Spirit", "Resting Upon Jacob's Pillow"... the list goes on, Each song a polished emerald."
Echodisc (May 25, 2006)
"Critics pick top album of the year - Eire: Isle of the Saints... John Doan plays a harp-guitar and from its 20 strings liberates truly enchanting Celtic music... Doan transports us to another place and time on every cut.
Philadelphia Weekly (May 25, 2006)
Anchored by the delicate and unique sound of his harp guitar, John Doan's release, Eire, Isle of the Saints , is a treat for those who like their Celtic music on the subdued side. This recording is a collection of songs that evoke thoughts of the Irish countryside for me - it's extremely visual music... Whether fast or slow, soft or celebratory, two things stand out on this recording. One is John's excellent compositional skill. All these songs are winners and the album plays through very well. Second is the high degree of musicianship by all the session players. This is ensemble playing at its finest. The overall mood of the CD is wistful and even a tad mysterious at times. Repeated listenings reveal the true worth of this recording. Like fog draped over the hills of "the Green," Eire, Isle of the Saints swirls its music around you revealing things bit by bit through the mist. It's a hauntingly beautiful listening experience.
Bill Binkelman - Wind and Wire (May 25, 2006)
John Doan, Eire: Isle of the Saints. Conceived as a journey to the Ireland of both history and dream, this suite of original pieces is a showcase for the whole glorious, resonant range of the harp guitar. Doan's instrument percolates with hints of Irish dance fragments and rings with the resonance of the ancient metal-strung harp. At their best, Doan's Compositions adopt Irish trad shapes, scales, and moods without adhering slavishly to the genre. Read the lengthy liner notes for Doan's personal epic journey, or close your eyes and take your own.
Danny Carnahan - Acoustic Guitar (May 25, 2006)
One of the latest, and possibly one of the most inspiring of the new collections in Celtic music is Eire: Isle of the Saints by John Doan. These pieces deliver a consistently high quality and caliber .. and are as solid musically as they are historically. It is full of an evocative energy that transports the listener back, way back, to a very ancient Eire. Doan is a master of the rare twenty stringed harp guitar. This eloquent, haunting, and richly detailed production carries a wistfulness that allows the imagination to develop fanciful scenes. Eire: Isle of the Saints is a luscious gift of music from the heart of a man on a personal odyssey. It is a journey that takes along the Celtic spirit in us all.
Virginia Graham Terhaar - Brigits Feast: A Celtic Journal (May 25, 2006)
Eminent Music historian John Doan's most recent CD, both a cultural and personal portrait,.. explores the range of the harp-guitar and personal visions as he musically reflects on his journey and experiences in Ireland: Doan is the Odysseus, wandering on a sea of Irish green and following dreams of O'Carolan's siren song. The music itself is largely contemplative and departs at times from a more traditional Celtic sound; the listener is advised to read the beautifully written liner notes to better understand Doan's impressionistic compositions and some of Ireland's history as well. Sometimes pensive, sometimes vivacious, Eire: Isle of the Saints is a unique and striking glimpse into the heart of a man and the history of a culture.
The Daily Digital Opinion (May 25, 2006)
The harp is widely associated with Irish music, but the harp guitar? Thanks to the latest release by John Doan, we may see that come about. It has a deep resonance and clarity reminiscent of wire-strung harps... Wonderful liner notes by Doan bring to life his sources of inspiration through stories of his travels and illuminating quotations ranging from Druid prophecies to inscriptions on graves. The music itself is sublime -- you will mourn the fact that Doan is not a more prolific recorder. The pieces are complex and beautifully-structured... and there is a more expansive exploration of Celtic motifs, and the result is quite beautiful and heartfelt. Hopefully, this CD will expose Doan to a much-deserved wider audience. Highly recommended.
Kathy Barnard - Branches Reviews (May 25, 2006)
John Doan
Eire: Isle of the Saints

... it takes only a moment of hearing him play the 20-string harp-guitar to realize that he must have a bit of the Irish in him somewhere. The music is compelling, mystical and as ancient as the instruments it features. Eire... is pure, simple magic... if your cup of tea is a night spent staring at the old country, with its music surrounding you, don't miss this.
The Davis Enterprise/Winters Express (May 25, 2006)
A purely gorgeous piece of work... combines elements of tranquillity with ringing Celtic themes and passages that act to sweep the listener off into Irish fantasy and mythological dreams. It sounds both familiar and unique.
All Music Guide (May 25, 2006)