John Doan was awarded The prestigious 2014 Brandlaureate International Brand Laureate Award for achievement, encouraging others in his respective field, and being an outstanding leader and brand. His award and life is featured in the current issue of “The Brand Laureate Business World Review” (April/May 2015). Continue reading
The 10th Anniversary Season of the Portland Classic Guitar Series presents Emmy-Nominated musician and storyteller John Doan with his acclaimed “Homage to Fernando Sor” program.
Imagine stepping into a time machine with Doctor Who to experience the world that shaped the beginnings of the classical guitar and the life of its most revered player, Fernando Sor.
That is what it may feel like as you hear the very sounds of 200 years ago on period instruments that Sor would have known but are rarely if ever heard today followed by John’s own inspired compositions that try to unveil the meaning and feeling behind what Sor himself tried to convey within his own musical language. Yesterday becomes today as history comes to life again.
In addition to the music you will see the world as Sor would have seen it through a multimedia presentation of period paintings both during the show and pre-show. John guides his audience in an immersion experience by playing themes of Sor’s on one of the first guitars made in England in 1819 perhaps at the commission of Sor himself. He then follows with his own haunting music inspired by Sor’s themes on a rare Bog Oak guitar – English maker Gary Southwell’s first guitar made from wood 5,500 years old!
Come experience a concert that contemplates the mystery of time passing, the drama of living in challenging times where the stakes are high in love and war and where moments of beauty connects the past to our present. Continue reading
The 7th Annual Harp Guitar Retreat was a great event for all. All the participants made friends quickly starting off with a Thursday night performance for each other.
Weekend morning classes began with reviewing various exercises from the new harp guitar instruction book John Doan is preparing for publication. Continue reading
John Doan a pioneer of the twenty-string harp guitar. He is also an Emmy-nominated performer, composer, public speaker, historian, instrument collector, and university professor. Upcoming concerts are listed in the calendar and news, updates, and articles can be found on John’s blog.
- John Doan Concert Tour in Europe 2012
- John Doan at Faerieworlds Harvest Festival July 28, 2012
- John Doan Concert in Anaheim September 15, 2012
John Doan’s Victorian Christmas Concert tour is lining up for winter 2012. Concerts in Arizona and Oregon are confirmed. Stay tuned for more news or subscribe to the site or email alerts to be notified of upcoming concerts.
John Doan offers group, private, and college courses on the harp guitar, multiple string instruments, history of music, and more. The annual Harp Guitar Retreat in his home in Salem, Oregon, is every July. This year’s Harp Guitar Retreat is Fifth Annual Harp Guitar Retreat July 6-8, 2012, and registration is now open.
To learn more about John Doan, check out his blog, biography, read press reviews of concerts and recordings, watch videos, view a gallery of fascinating string instruments from around the world and throughout history, many of them from John’s collection.
Emmy-Nominated musician and storyteller John Doan will perform his acclaimed “Christmas Unplugged – Reclaiming the Holiday Spirit” program December 2016 (see dates below). It is a refreshing and magical escape from the frenzy of our times. Experience Christmas past as if it were today with group sing-alongs and whistle-alongs, archival photographs, and the sound of a century old instruments (harp guitar, classical banjo, various zithers) rarely if ever heard today. John’s physical comedy interspersed with fine musicianship makes for a fun filled evening for all ages.
“John Doan reminds us in a way that is funny, musical and touching how we might find something we’ve lost from our homes and hearts.” Focus Magazine
Doan is an international touring and recording artist who has appeared on radio and television across the country, including his Emmy-nominated Oregon Public Broadcasting special (seen on PBS) “A Victorian Christmas With John Doan.” He recently was given the International Brand Laureate Award for “World’s Leading Harp Guitarist.” He has performed with a diverse range of artists including Donovan, Burl Ives, Larry Carlton, Mason Williams (of “Classical Gas” fame), as a member of the New Christy Minstrels, among others and his virtuoso playing and arranging has attracted praise from no less guitar luminaries than Chet Atkins and Doc Watson. Doan is an Associate Professor of Music at Willamette University in Salem, Oregon.
|TOUR: CHRISTMAS UNPLUGGED 2016|
|12/09/16||Portland, OR||Unity of Portland||United States|
|Time: 7:00pm. Admission: Suggested Donation of $15-$20 at the door. Age restrictions: All Ages. Address: 4525 SE Stark Street. Venue phone: 503-234-7441.|
|12/10/16||Salem, Oregon||Willamette University, Hudson Hall||United States|
|Time: 7:00pm. Admission: $15.00 for adults and $10.00 for Seniors, children and students under 18. Tickets at the door are $18.00. Willamette University students, faculty, and staff may acquire free tickets up to one week prior to the event (tickets are limited). Age restrictions: All Ages. Box office: (503) 370-6255.Address: 900 State Street. Venue phone: 503-370-6255.|
|12/17/16||Portland, OR||First Baptist Church||United States|
|Time: 7:00pm. Admission: TBA. Age restrictions: All Ages. Box office: (503) 228-7465. Address: 909 SW 11th Ave (SW 12th and Taylor Street). Venue phone: (503) 228-7465.|
I have been asked to perform a special intimate concert “From Sor to Doan” Saturday, October 22nd at 7:30pm at Casa Della Zisa (click to see other events) located at 4624 NE Fremont Street, Portland, Oregon 97213. Ticket prices $20/individual or $35/family. For tickets and location information, email Peter Zisa firstname.lastname@example.org or call 503-307-4907.
This event takes place in Peter and Yukiko’s Craftsman style living room where they have begun showcasing intimate performances where everyone is up close and personal with the music. This will be both a concert, TED talk, and conversation with the audience all in one. In this setting learn about where the inspiration for the music came from, why the musical language was chosen and what is it trying to say to the listener.
At Peter’s request, the concert will begin with harpolyre music of Fernando Sor (1778-1839) who is known today as the “Father of the Classical Guitar.” I will play a few pieces on an original harpolyre from 1829, an ancestor to the harp guitar. I have recorded Sor’s complete works for this instrument on “The Lost Music of Fernando Sor”. This will be followed with more of Sor’s music upon a guitar that he arguably commissioned to be built in 1819. This instrument inspired a creative work titled “Homage to Fernando Sor” from which I will compare and contrast with some of Sor’s original compositions. I will play selections from the Sor Homage on the first guitar ever made from 5,500 year old wood by Gary Southwell of England.
The second half will debut new works for harp guitar from my upcoming recording titled “Into The Quiet.” I will play these upon the Jeffrey Elliott/John Sullivan harp guitar which is the first harp guitar in modern times. I will also play a piece on the latest version of 20 string travel harp guitar by Lukas Brunner of Switzerland. All the instruments are timeless
masterpieces in their own right!
The music will strive to reach beyond time and to help you in this time travel I will share the back stories to this new material and how Sor has inspired some of this writing.
Look for my new recording in the coming weeks. As always, if you can’t make it you can order CD’s and DVD’s of this music at http://www.johndoan.com/
Mason Williams (Classical Gas) says, “John’s music is like magic. No special effects or illusion, real hands on real magic. Where all of this music is coming from seems like a mystical experience.”
Burl Ives says, “John’s music is simply beautiful. No, it is more than that, it is heavenly!”
International Brand Laureate Award: “World’s Leading Harp Guitarist.”
John Doan’s Tenth Annual Harp Guitar Retreat is set for June 22nd to June 25th 2017. I hope you will be able to make it. (see below for a daily itinerary, Saturday concert, testimonials, photos, fees, and registration information).
The Ninth Annual Harp Guitar Retreat was a huge success with classes, private lessons, Harp Guitar Gallery, Music Nights, Concerts, and plenty of time hanging out talking about life and, what else, harp guitars! We begin each day with a three hour group class where we are hands on the instrument exploring harp guitar playing techniques, music ideas, and even ensemble playing.
We always have a great line up of harp guitars of all sizes and makes, all for you to test drive at your leisure.
Gerry Camp brought his prototype 20 string Carbon Fiber Emerald harp guitar made in Ireland. It is virtually indestructible and we were all impressed what a good sounding instrument it was, especially plugged in or with the new Tonewood Amp attached to its back. Continue reading
I will be performing an outdoor harp guitar concert in the woods at my home on top of Prospect Ridge Saturday, June 25th. You are invited to a potluck dinner at 6:30pm where we can visit followed by an intimate concert at 8pm. Plan to bring an entree or a dessert item.
For tickets, you may order them via PayPal to ensure a spot at one of the most exciting events of the year – trust me.
This year the music will be about the evening sky. A special piece will be premiered at sunset titled “Harp Guitar Sunset” where I will be accompanied by several other harp guitarists attending the 9th Annual Harp Guitar Retreat. I hope you can be a part of this special occasion. This is not just a concert, but an experience!
Seating is limited (last year’s event nearly sold out!). Admission is $30.00 per person.
To purchase tickets, use our handy PayPal ticket service to ensure a seat. Once you have secured your admission you will be sent the address and directions to the event. RSVP if you will be coming to the potluck. I hope to see you there!
The 9th Annual Harp Guitar Retreat June 23rd -26th, 2016 is a great event to learn harp guitar basics and beyond (see below for a daily itinerary, Saturday concert, testimonials, photos, fees, and registration information).
This is different than a festival environment that focuses on various performers who entertain us with their playing, this is a workshop and immersion experience with the entire emphasis placed on you and how you want to grow as a musician with a harp guitar in your arms.
You will be introduced to:
1. Various techniques and concepts of playing the harp guitar
2. Exploring ideas on how music works through hands on application and all sorts of discovery activities.
3.Composing and performing through personal coaching
4. and being inspired.
If any of the above interests you please consider reserving your place for this summer’s 9th Annual Harp Guitar Retreat held at the home of John and Deirdra Doan. At the retreat you will have access to John’s years of experience as a pioneer of the harp guitar, an Emmy-Nominated and award winning recording and performing artist as well as a University music professor.
The setting is nothing short of breath taking with expansive westerly views of the Willamette Valley from atop a towering extinct volcanic plug that the house is built upon (the only eruptions forecasted are of music and laughter).
It is an intimate stress-free environment with all levels of playing/performing encouraged and accepted for an educational seminar involving a very limited number of participants.
You may come out to learn about playing the harp guitar but you will also leave with some new friends.
The retreat starts with a Thursday night dinner and informal performance for those who would like to play. The class and lessons are laid back and are aimed at working with players who have just started playing the harp guitar and with those who want to put an edge on what they already have accomplished with the instrument and their music.
Weekend morning classes begin with reviewing various exercises from the new harp guitar instruction book John Doan is preparing for publication as well as various activities playing the harp guitar by ear without the distraction of following a written page. Continue reading
Far off into the Alps of Switzerland there exists a instrument workshop where Lukas Brunner dreams up designs for harp guitars that sound as crisp as the winter air with bass notes that dip down like the deep valleys below and with super treble strings that rise up like the mountain tops.
Nestled between Swiss mountain peaks is the small village of Lavin where harp guitarists seeking shelter from the winter snow will find a warm place to sit and pluck awhile at the Brunner Guitar shop.
In my travels in Europe I have managed to make a few visits to this magical world where savory chocolate, precision clocks and fine craftsmanship are the order of the day.
This is where I met Lukas Brunner who makes travel harp guitars that can be transported in a small bag, placed in an overhead or beneath the seat in front of you on an airline and can be assembled in a few seconds, for the most part in tune and ready to play a concert on!
After having the airlines loose my Elliott/Sullivan harp guitar three times (and fortunately also finding it three times!) it became a good idea to tour with a harp guitar that comes apart, fits in a small case and can always be with me on the road or in the air.
My good friend Philippe Fouquet and follow harp guitarist from France told me that he got a newly designed harp guitar from Lukas Brunner and raved about many improvements to this newest model and suggested that I look into getting one.
I put in an order this past year and I just received the latest model of Travel harp guitar from him this week. I am excited to share this instrument with you here and in my future concerts that I fly to.
It is stunning to behold. Lukas has such a remarkable eye for design and detail. Most notably his new design has the twenty strings centered on the body instead of running over to the treble side like my previous instrument. He achieves this with a single attachment for the guitar and bass string instead of two separate necks he used before. The black finish is exquisite and even dramatic. This took quite a bit of extra work to achieve.
This new instrument has an evenness of tone that prevails across the entire range. He has added internal bracing this time round that helps structurally and evens out the sound quality of the soundboard.
There is a reverberant sound throughout and a great balance of the three pitch areas is achieved acoustically and not just by the use of a mixer.
Technically, the body dimensions are defined as B-medium: length: 19 1/8″ (48,6cm), width: 14 1/2″ (36,8cm) , depth: 4″ (10,2cm). The overall volume and vibrancy is somewhat less than the inch larger sound box of my Elliott/Sullivan harp guitar (that also has a hollow arm under the bass) but this new smaller sound box without the hollow arm still holds its own and is quite good to play acoustically.
The Indian rosewood used for the back and sides is really beautiful and the Red Cedar top is very lively.
The bass string lengths are 30 1/2″ (774mm) while the guitar string lengths are 25 1/2″ (650mm) (both standard on Brunner harp guitars).
Brunner uses Gotoh oval chrome tuners for the super treble strings that he places on a ledge (an early innovation he debuted on his previous model). On the bass shoulder bout can be found a sound port to give the player more sound to listen to while playing.
There were several details Lukas added to this instrument that were very brilliant like the bridge attachment not touching the face as well as being cut at an angle for a more sure fit.
The beveled edge on the lower bass bout is beautifully done in curly Maple making it easy for the arm to rest while playing.
I was looking for an overall appearance of the night sky and the beveled arm rest worked in visually as a crescent moon. I love how he managed to put the inlays of evening stars at harmonic points of the string, something easily overlooked when thinking of them as ornaments.
The headstock is smartly designed with all the guitar tuner buttons off to the right and the bass tuners compactly set within the bass arm atop of a pillar to the far left. My previous travel harp guitar was considerably heavier with two full necks. The absence of the additional neck makes the instrument lighter and easier to work with.
All of these headstock tuners are locking tuners that only respond to adjustment while attached to the instrument and under pressure. This allows the tuning knobs to be knocked or turned while detached from the body without any impact on the tuning once the instrument is assembled (which only takes a few seconds to do!). What is remarkable and has guitarists gasping is that once the guitar and bass string attachment is snapped into place the instrument is virtually in tune!
The bass tuners are more like fine tuners and generally should work best if the basses are left at the same pitch from tune to tune. The lowest E goes easy enough up a half step to F as does the B down to Bb. I will be exploring using a lighter gauge string for the first sub bass so I can bring it up to E on occasion when I use a capo on the guitar. I hope that works as they are so snug and low profile, which is perfect for it being a travel instrument.
The magic behind the travel harp guitar is how the guitar and bass strings come off the body. That all starts by loosening the screw at the top of the sound box. Once loosened one very carefully presses down on the knob while holding down the neck so it comes up under control instead of quickly popping up. With a little practice this is a smooth transition.
Brunner used good old Swiss precision tooling for the contact points that he originally worked out with his uncle who is a master tool smith. The precision allows for stability of the instrument once assembled and as above mentioned, contributes to the instrument being in tune when put back together.
Once plugged in it sounds completely natural and will be a joy to play in concert thanks to the LR Baggs Anthem SL setup. As you look into the sound hole you can see a small dial that allows for adjusting the volume without reaching for a mixer or coordinating with the sound engineer.
In conclusion, there is so much that has gone into this newest model and I am thrilled with the results.
The overall length is shortened compared to his previous travel harp guitars which is great for travel. Brunner still managed to lengthen the super trebles a bit for a fuller tone and the sub basses still have good length to give a full tone as well.
As with his earlier model, the zero fret, the larger sound hole and the beveled arm rest work really great.
I have added a NeckUp Guitar Support for playing but it was great that I really didn’t have to have it given how the strings have been moved over to be centered on the face of the instrument.
I have a little bit of a learning curve to do to get use to the 16 fret neck versus the 21 fret of my Elliott/Sullivan harp guitar (the higher frets used mainly for indicators for locations of harmonics up the neck, but no big problem).
I am excited to bring it to your community for a future concert. This is truly a new year filled with hope and excitement for future music making.
(Special thanks to Lukas Brunner for all the fine photos of the new travel harp guitar).
This past weekend I had the honor of performing my harp guitar music at Faerieworlds located in the enchanting forests not far to the west of Portland. It is here where many of the local food and craftspeople, acoustic musicians, and various woodland and not so woodland citizens congregate to celebrate the end of summer.
The day I performed the crowds still came in spite of the rain.
Many people came to just to see old friends.
There were many colorful booths that attracted a loyal clientele.
Some people walked to the event from where they had been camping.
In spite of the rain Ali Baba’s Tribal Treats always had long lines.
Faerieworlds is a great place to come to meet people you might have things in common with.
If it wasn’t sprinkles of rain there were bubbles filling the air.
I brought with me a good friend and truly awesome guitarist, Adrian Bellue who was quite busy snapping photos of the most interesting people at the festival.
I persuaded him to add to his collection of selfies a groupie of the two of us.
He brought with him a portable guitar and began to draw crowds by his amazing and unbelievably intricate playing. Not knowing if I would be able to get the crowds attention after his impromptu performance I joked with him to take a long walk on a short peer while walking backwards!
Although I didn’t see Adrian for sometime after that I did manage to find the stage where I was to perform.
Thinking I was the only one playing a harp like instrument that afternoon I was surprised to find that there was not only one harpist but two playing right before me!
Most of the audience immediately ripped out their cell phones and began videoing the beyond amazing “Harp Twins” who are identical twins who appeared to be playing exactly what the other was playing!
They were definitely a hard act to follow so I set out to sound like three and a third guitarists playing at once with my 20 string harp guitar.
Once Adrian discovered I was performing he stopped taking photos of his favorite subject and captured a rare moment when the audience was not either taking pictures of my playing or taking their own selfies!
After my concert set ended with a roar from the crowd Adrian and I thought to belly up to the Kombucha bar to have one last drink before hitting the road.
And those were some of my adventures at Faerieworlds. I hope you will be able to check it out next year. You never know what will happen!
I recently had the pleasure of hosting several lutenists from Oregon in my living room. I had played the lute for many years, had studied with Toyohiko Satoh, Paul O’Dette, Catherine Liddell, Robert Strizich, Donna Curry and Frank Eyler and was deeply inspired by the humanity of its music and the range of emotions it spoke through its life celebrating dances to the soulful and melancholy tinged reflections of our existence that all but entered into a sacred music. When I think of the English renaissance lute I think of plays by William Shakespeare, outdoor Renaissance Fairs, Elizabethan times filled with discovery of new foods, up to then unknown creatures, and indeed awareness of expanded worlds and religious controversies that caused us ever since to partake in extended discussions of who we are as a people and where we are going.
This weekend brought all that to life as old and new friends joined together with a common interest in the Lute.
Phil Petrowski brought his guitar lute popularly known today as a lutar.
He objected to it being called a “guitoot”!
Mark McBurney gives an impressive performance with his proud teacher Hideki Yamaya looking on.
Hideki tries out another of Ken’s lutes and wonders if he will go “baroque” if he bought it.
Phil and Hideki discuss who has the biggest lute.
Bradley Wycoff shows Hideki his lute and asks if he ever played three lutes at once.
Missy Wryn and Phil sit mesmerized by all the lute music.
Dick Weleber laughs when Hideki says he knows a “little” lute music for his instrument.
Hideki masterfully proves that big music can be played on little instruments!
Everyone starts to dance to Hideki’s Disco version of Silvius Leopold Weiss (just joking).
Hideki and I discuss if there there is any extant lute duet music titled “Dueling Theorbos.” (sorry, I will try to behave myself)
John has the audience in stitches as he starts to play the lute.
I ask Ken if he would donate one of his lutes to my collection.
I take a break from all the kidding around and debut a new piece I wrote for the lute.
I was very encouraged by the caring response of many who commented on the new piece.
“It was most enjoyable to listen to you play your variation on Green Sleeves. Usually, I cringe when someone plays that tune ; I’ve heard it more than a dozen times – infinity! Yet, you transformed Green Sleeves from a way-too-familiar tune into – no, not “into” but “down into” a shadow laden cavern where ancient rituals emerge to feed the flickering flame of wearied compassion.” Ken Wryn
I really love ken’s enthusiasm and imagination!
Your performance of the variations you composed on Greensleeves, was marvelous. I think that some of the finest music I have heard that has been composed in the past 50 years has been for guitar and now the lute!
I think in the future if I ever need encouragement, these are great folks to be around!
It was a great afternoon of not only sharing Lute music but also enjoying each other, and that really made it all worth while.
Willamette University presents Emmy-Nominated musician and storyteller John Doan with his acclaimed “Christmas Unplugged – Reclaiming the Holiday Spirit” program. Imagine stepping into a time machine with Dr. Who to experience the world when people actually entertained themselves and each other. That is what it may feel like entering the performance site that has been transformed into a period parlor. The immersion experience is heightened by group sing-alongs and whistle-alongs, archival photographs, and by hearing the very sounds of a century ago on period instruments common then (harp guitar, classical banjo, various zithers) but rarely if ever heard today. Emmy nominated for “Best Entertainment Special of the Year” John’s physical comedy interspersed with fine musicianship makes for a fun filled evening for all ages.